Tuesday 4 December 2012

Talaash: Disappointed?



********************************Spoilers************************************
Congratulations to all those, who watched Talaash on the first day, and dismantled an otherwise engaging thriller by giving away the suspense on statuses, messages and personal calls! When I went for the movie, I had three rumors to verify and judge, “Which one is the correct one, the ghost, the serial killer or the psychopath!”. Though I knew the suspense, I personally loved Talaash, and I was surprised to know that it wasn't the general perception.

I heard a lot of people that they were let down by Aamir Khan, a reviewer felt cheated by the end, and then there were the ridiculous notions, “Ye kya baat hui, end me bhoot nikal gyi!”. I have just one question, why such a closed response? Why couldn’t an Aamir Khan movie have a supernatural element? Just because, it wasn’t promoted like that (for obvious reasons)! Or because, you were expecting a “contemporary” murder mystery. And if it were the latter, you weren’t really expecting an Aamir Khan movie, were you? Talaash is just a movie, killed by high expectations, infact, the word is unrealistic.

A movie audience that has hailed “The Sixth Sense” or “The Others” as masterpieces, has lambasted a very genuine and honest effort on the part of the writer and director Reema Kagti, and it somewhat bothers me. “Mera Saaya”, “Wo Kaun Thi”, “Teesri Manzil” were all classics woven together around the supernatural, and I can’t seem to remember any movie in the recent past that I could even list with them, infact there is none. Its a genre long forgotten, where shock wasn’t used as a medium to scare, even a women singing on a cliff, sent chills down the spine. Its one of the few sensible movies made recently (if you are one of those, who can’t digest sensible and supernatural in the same sentence, please try and understand that I am writing about a piece of fiction.), and when I say sensible, I mean to discourage movies like Dabang, Dabang 2, Race 2, Agent Vinod, Student of the Year and the likes.

Yes, the movie is flawed, I don’t deny that. The Rani Mukherjee and her dead son saga is overstretched, just for the sake of the entire premise to make sense. There are clues at regular intervals for anyone to decipher, there are dialogues that seem forced and there was no need to show the helping-ghost-underwater sequence at the end. It’s not perfect, but Talaash does come so close and makes an earnest effort with touching characters(yes, I am talking about Kareena Kapoor and Nawazuddin). Its good to see, a Bollywood movie break the norm and attempt something different, so beautifully. To me, its a script, betrayed by the audience. 

1 comment:

  1. Talaash is an honest effort by the crew to establish a thriller amid the contemporary indian cinemas where men seem to be flying apart with the slightest blow by a supercop.Yes,the movie was no magna carta stuff but cannot be erased from 2012's calender.The intensity, which sure was a treat to watch coupled with an echoing background score, Talaash was a good watch for me..The review is a good read & a company for a lot of us.

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