Monday 23 July 2012

Movie Review: The Dark Knight Rises

The Dark Knight Rises, the last movie of the Christopher Nolan’s Batman universe was also the most awaited movie of 2012 summer. The movie released on 20th July worldwide, one of the few Hollywood biggies that didn’t release in 3D, and instead in IMAX with over 50 mins of IMAX footage. Rises has too much riding on it, as it follows the commercially and critically acclaimed The Dark Knight, it marks the end of Nolan’s Batman Saga and fans from all over the world have sky-high expectations from this one especially after Inception.  



The Dark Knight Rises is set 8 years after the events of The Dark Knight, when Batman(Christian Bale) takes the fall for Harvey Dents(Aaron Eckhart) crimes, a secret kept by Commissioner Gordan(Gary Oldman) all this while, so that the The Harvey Dent Act remains intact. Since the night of Harvey Dent’s murder, there has been no sighting of the caped crusader. Bruce Wayne is now a recluse, who hasn’t stepped outside Wayne Manor in months. Miranda Tate(Marion Cottilard) is a new member of the Wayne Enterprises, who along with Alfred(Michael Caine) and Fox(Morgan Freeman) wants to help Mr Wayne, his enterprise and Gotham. John Blake(Gordon-Levitt) is a “hot-headed” police officer and one of the many in Gotham who wants the Batman to return. Selina Kyle(Anna Hathaway) also the Catwoman, though the name is never mentioned, is a slick burglar who drives Bruce Wayne out of his self imposed retirement.  Hell breaks loose when Dagget, a businessman who wants to overtake Wayne industries, brings Bane(Tom Hardy), a half-masked terrorist to run his operations in Gotham. But Bane has his own plans for Gotham and when the city is defenceless, Batman is forced to return.

There had been a lot of apprehension, especially after a review of The Dark Knight Rises posted on Rotten Tomatoes that Nolan’s third attempt does not deliver. IT DOES. Essentially, what makes Christopher Nolan’s adaptation different from the rest is the fact, that it is not the story of just Batman, it’s the story of Bruce Wayne, and how he transforms himself, his ideals into a symbol, his fall and how he rises back. As for Bane, yes, he is no Joker. I believe no character or actor could have done what Heath Ledger did for Joker in The Dark Knight, it’s a performance that made The Dark Knight a classic and forever changed the Superhero genre.  Bane who wears a mask having an analgesic device to ease his pain, believes in carnage unlike the mind-games preferred by Joker, the only villain physically superior to Batman and infamous for breaking Batman’s back. Tom Hardy does a great job, especially with his accent, and gives a distinct feel to the character but somehow the mask undermines his performance and the fear he is to instill does not appear on screen as it was intended to. Anna Hathway as Selina Kyle does the rest of it for the film and deserves a round of applause. She brings the sexy and mischievous feel back to the dark theme, at the same time displaying a range of emotions including remorse for our fallen hero. The conversations between Selina and Bruce/Batman, their chemistry are a treat to watch and fill up a little for the memorable Batman-Joker. The only glitch in the script and character development appears in the form of Miranda Tate, who has very little screen time, and the roots of her characters are not very well defined for a film that introduces so many new characters and with a running length of over 2 hours and 50 mins. Also the entire police force behind Batman without a single unit behind the attackers of the Stock Exchange, isn’t something you expect in Nolan’s screenplay. 


The Dark Knight trilogy is based on 3 themes, Fear (Batman Begins), Chaos (The Dark Knight) and Pain (The Dark Knight Rises). A scarred hero with a lost love is a common theme in all of Nolan’s works whether it was Cobb from Inception, Robert from The Prestige or Leonard from Memento. Bruce Wayne has lost purpose, he considers himself responsible for the death of his childhood love Rachel and retires to prevent any more casualties. He is downright miserable, uses a cane to walk, has no clue of his business as always, the gadgets, the detective skills are still there but he is waiting for something. Micheal Caine does an excellent job as Alfred reminding Bruce that he is no longer Batman, his body cannot take it anymore, and he needs to move on. Rises is very high on the emotional scale and very close to Begins, the way the film unfolds is to provide a very strong build-up for the climax. Christian Bale delivers a memorable performance as a broken hero, with a strong resolve to come back and save his city, "I am not afraid, I am angry".

The Dark Knight Rises is Christopher Nolan’s most ambitious project to date. The scale of the movie is epic. Gotham is under siege, cut off from the world, and armies are being gathered for the final showdown, a sight to see in IMAX. “The Bat” makes an appearance as Batman’s new transport, dodging missiles and providing escape in tight situations but still nothing beats the truck flip of the The Dark Knight. Manhattan is taken up as Gotham in Rises, unlike Chicago which was used in the previous two films. The cinematography is flawless, Wally Pfister does a great job again keeping in mind the scale of the movie, the prison sequence being a highlight. Hans Zimmer provides the score for the movie, and uses a peculiar chant Deh Shay Bah Sah Rah(meaning "Rise") whenever Bane makes an appearance. The soundtrack has a gloomy feel to it and uses parts of the tracks from Begins to relate better to it, with my personal favourites being Rise and Despair. 

The incredible thing about Rises is the way the story of Bruce Wayne connects to its root, Begins. Rises is more similar to Begins than the Dark Knight, the plot is emotional and sets the stage for the climax of the trilogy. The Dark Knight Rises is a great film, it delivers an amazing emotional, supercharged climax to the trilogy, going full circle.It marks the end of Bruce Wayne's journey as Batman as only cinema can deliver. As you leave theaters, you cant help feeling awe and admiration for Christopher Nolan, one of the greatest directors of today, you built a legend from scratch. "You don't owe these people anymore! You've given them everything!" I still wish the answer to that one was "Not everything. Not yet."

Rating: 9/10